Tel: (08) 9437 2151


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A Guide to Your First Recording Session:

If you've never recorded in a studio before, here are a few tips to explain how it all works,
and to help make it an enjoyable (and not a stressful) experience.
 

Introduction:
Firstly, please phone us so we can discuss exactly what you want to achieve during your recording session. Don't worry if you're not sure or have never done this before - we'll gladly discuss and explain all the possibilities and guide you through it all.

We'll spend as much time as you need for this part of the process, free of charge, and you're most welcome to visit the studio, join us for a glass or two, and chat about what you want to achieve. We're not embarrassed to state that many of the musicians we record are "first time, independent artists" - so don't worry if this is all new to you.

Ultimately we'll be able to send you a formal quotation for the estimated cost of your proposed project. And you're more than welcome to visit the studio at any time to chat about it all and check it suits your requirements. Once you're happy, and if you decide to go ahead and pay your deposit, we'll book some dates and you can start preparing for your recording session.

Preparation:
The biggest issue for most musicians is the cost of recording their CD, EP or DVD. There's one basic rule that determines this - studio time costs money. The less time you spend in the studio, the cheaper the project is. So the more practice and preparation you can do in advance, the cheaper it's going to be once you get into the studio.

Two examples: One solo artist was so well prepared that we recorded 4 songs in 2 hours ($190 of studio time, plus mixing and mastering). Another client spent two days (107 takes and $1,380 of studio time) trying to nail the vocal line for one song.

What to bring:
In addition to all your instruments, associated equipment, lyric sheets etc. you should also bring...
 - Your favourite food and drinks. Recording takes a surprising amount of energy. There are two lunch-bars, a bottle-shop and a 24hr Shell nearby, but you may not want to waste time with that.
 - Example CD's of the kind of music you like or the kind of sound you'd like to achieve.
 - Spare guitar strings, batteries etc. We do keep spares, but probably not your favourites.
 - Towel and bathers. We have shower facilities and a heated pool in summer - great for freshening up.

Technical Stuff:
If you're not technically-minded, don't bother with this part - that's what you're paying us for. We have the very best recording equipment, as used by the all the best studios around the world, and many years of experience using it all. But if you do have a technical interest, please check out our equipment web-page, or give us a call and drop by for a closer inspection.

Facilities:
Our studios and control room are fully air-conditioned. There's a reception area with cappuccino machine, kettle and tea-making facilities, microwave and fridge (amply stocked!) and shower facilities. We also have an outdoor/night-time entertaining area with BBQ, and a large heated swimming pool available in summer. Our admin office has fax, photocopying and printing facilities - useful if you quickly need to copy a few lyric sheets.

Environment:
We are fortunate to be located in 5 acres of natural WA bushland, mostly Jarrah, Tuart and Banksia trees. In springtime we are surrounded by thousands of native wildflowers, including Kangaroo Paws, Cat Paws, Donkey Orchids, Spider Orchids, Cowslip Orchids, Jug Orchids, Swan River Myrtle and many others.

All our water is supplied from rainwater tanks (makes a great cup of tea), our hot water is solar heated, and our swimming pool is filled from rainwater tanks and is also solar heated. Our waste water is biodegradably recycled before returning to where it came from. We do our best to have a minimal impact on the environment. It is a superbly relaxing and calming place, ideal for creativity and the production of great music.

   
STEP 1 - RECORDING:
When you first arrive at the studio, we'll probably spend the first hour or two setting up any instruments or equipment you bring, positioning microphones, setting recording levels, and checking that the sound we're getting is what you want. This is a critical part of the process, so don't panic if it takes longer than you might expect. The next stage is to start recording, and this can take many forms depending on what kind of music you play, and how you want it done (see
Multi-tracking vs. Ensemble Recording below).

STEP 2 - MIXING:
Once all of the recording is done, the next stage is to mix and balance all the recorded tracks to produce a "final mix" for each song. This is done by our sound engineer, typically sometime over the next few days, in a quiet environment with no-one else around. We will then invite you back to the studio to review the mixes and give your approval. Sometimes this is a very quick and simple process; on other occasions it may take a number of iterations to get exactly the sound and production that you want. But one thing you can be sure of - we involve you at every stage of the process to ensure you get the sound you want, and that you're happy with the final result.

STEP 3 - MASTERING:
Once each of your recordings has been mixed to your satisfaction, the next stage is
mastering. In the case of a CD or EP, this is the very detailed process of doing final sound balancing and processing to ensure that the CD or EP flows properly from track to track, that each track sounds well balanced compared with the next, and that each track is "commercially ready" for presenting to the world. In the case of MP3s and other formats for web/download, most of the same requirements apply. There are also some obscure technical things done at this stage such as generating PQ code sheets for CD replication and the insertion of ISRC codes for tracking royalty payments etc. But we handle all of this so there's no need to worry about it.

At the end of mastering, we give you a Gold Archival "master" CD or DVD, ready for duplication or replication, plus one or more "production copies" for general listening, plus professionally rendered versions in MP3 or other formats for web distribution and streaming. You also get PQ code sheets which are required for professional duplication or replication, and can assign ISRC codes for each track as part of the mastering process if you wish.

STEP 4 - DISK DUPLICATION / REPLICATION:
This is where you get multiple copies of your CD or DVD produced. Duplication is typically done for small quantities; replication is where a glass master is manufactured from the Gold Master we supply you and is typically only economical for quantities >500. We use DiskBank for our own duplication requirements, but there are others offering similar services so you might want to shop around. 


Multi-tracking vs. Ensemble Recording:

For more then 40 years, the ability to "multi-track" in recording studios has significantly improved the sound quality of music recordings. Multi-tracking is where each instrument or voice is recorded separately, one at a time, providing excellent separation between each instrument and enabling beautifully clear and dynamic mixes. Multi-tracking typically involves recording a guide track first (for example a rough guitar and vocal track in time to a click-track or metronome) and then, one at a time, each instrument or vocal is recorded while listening to the previously recorded tracks through headphones and playing in time to them.

At Studio Innovations we of course offer this capability and it's probably the norm for most modern music recordings. But for many musicians, especially those who normally play in a band or ensemble, multi-tracking may produce a great sound but may lose much of the dynamics and interactive creativity that occurs when you play as a group. We have an increasing number of clients (from rock bands to classical and world-music ensembles) who prefer to record while playing as a group, maintaining that "live", interactive and spontaneous sound of the ensemble, and then overlay perhaps a final vocal track and other lead tracks afterwards. What makes "ensemble recording" work really well at Studio Innovations is because of the multi-channels of individual monitoring mixes we can provide - everyone gets their own personalised mix through their headphones.

So, we can do whatever combination of "ensemble" or "multi-track" recording you need, but please discuss this with us beforehand so we can plan the recording session accordingly and ensure we do it exactly the way you want.

 
 

Tel:
Fax:
Email:
Web:
(08) 9437 2151
(08) 9437 2551
info@studioinnovations.com.au

www.studioinnovations.com.au